My youngest daughter can sing like nobody’s business, and I could listen to her for hours.
When I asked her what she wanted for her fourth birthday, she told me she wanted to sing on stage. I happened to have a friend, Jodie, already booked to perform on the right date at a local coffee shop, and all it took was the request to gain joyful entry for my tiny daughter to a stage of her very own. She chose a song, practiced and practiced and practiced—translate that as, “My three-year-old won’t stop singing the same song over and over again,”—until the big night. Then, dressed in her favorite light-blue pageant dress, she took the stage as if she owned it, her entire birthday party seated in the house.
It was a simple little coffee shop, and when Jodie called her up mid-set, they realized the microphone was mounted far too high for her and couldn’t be lowered. My daughter’s four-year-old voice wasn’t big enough yet to fill the room on its own, so she waited, calm and comfortable on the wooden stage until Jodie and a couple others managed to arrange a chair as a perch to lift her to the mic.
While they did all this, of course, folk in the coffee shop started talking; the performance was halted. My tiny daughter planted a hand on her hip and surveyed the audience. “Grandma, I see you being good!” she announced. The crowd tittered, but apparently felt chastened enough to return their attention to the pint-sized diva waiting for her crew to set her mic.
And then she sang “Somewhere Over the Rainbow,” and blew them all away. Perfectly on pitch, her angelic little voice was so lovely that a couple people asked if she’d lip-synched it despite the obvious lack of any equipment more advanced than a mic screwed onto a camera stand.
Shortly after that, I was approached with the possibility of putting her in commercials. She had just turned four, knew how to read, could memorize lines, and sang like a siren; add blonde hair and a pretty smile, and she was a producer’s dream. With Drew Barrymore self-destructing in the public eye at the time, though, I declined. If my daughter wanted to perform professionally when she was older, I’d support her all the way. But I wasn’t putting her in commercials just now.
At seven, she auditioned for the West Tennessee Children’s Chorus, and her formal training began.
At almost-nine, she saw a call for auditions, begged me to let her try to join Opera Memphis; they needed four children from a multi-state region for their educational series. I thought maybe the audition experience itself would be good for her, and agreed to fill out the form, making certain she knew this did not mean she was in. Far from it, this was her first-ever real audition, and was incredibly competitive; we were going just so she could see what a professional audition was like, nothing more than that.
We received our time slot and other materials, learning that more than four thousand children were auditioning for four roles. But we could listen to the ones shortly before and after her, so we were looking forward to the experience, seeing new things and meeting new people.
She sang. They asked her to come back.
She sang again, a different day. They asked her to come back again.
She sang yet again, on yet another day.
They offered her a paid position among their professional cast.
I would never underestimate my daughter again.
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When we moved to Pennsylvania, she lamented, “But Mama, I’ll lose my paycheck!” Since she wasn’t yet supporting our family and I was, it was a sacrifice we had to make. Both the West Tennessee Children’s Chorus and Opera Memphis moved into the “experience” part of her little-girl résumé, and she added some acting experience with a few shows in the little community theatre in Carbondale, then joined Marywood Children’s Choir. Along with a few friends, she auditioned for the big Christmas show in Tunkhannock, and at twelve years old, she strode onto their big stage without a microphone and held more than a thousand people enraptured with a simple spiritual, a capella. She made an impression; we heard from people who’d been there for that for a couple years afterward.
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At that point, I commented to my mother in conversation that I really was stunned, that I had no idea where my daughter’s voice had come from, other than her own heart. My mother, never the most forthcoming with useful information, responded, “Well, my aunt did have a voice scholarship to Julliard …”
Maybe that was it.
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A few years later, my daughter graduated from the Choral Society of Northeast Pennsylvania as well as high school, both a year early. She’d also done a few musicals at Wilkes University, and for a while I’d even managed to pay for some private voice lessons to help train her talent. St. Stephen’s well-known choir had her for a while as well, but she couldn’t really take the religious context there and it made her miss her beloved Quaker meeting, so she left that one despite adoring the incredibly accomplished musicians she got to meet. She’d done a few years of music camps, taken a college-level course in music theory, and performed everywhere from a local shopping mall to her brother’s swim meets to a couple amusement parks.
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And then she was off to college herself, originally studying biology (Ecology and Evolution if you want to be specific) at Pitt, all the way across the state.
Just for fun, she took a class in East African Drumming and Dance. That’s what college is for, right? To explore things you’d never have encountered otherwise?
The next thing I knew, my skinny, pale, blonde daughter was chosen to solo the Ugandan National Anthem on stage.
She’s graduating this spring, with a degree in physical anthropology, a certificate in African Studies, and possibly a minor in Museum Curation if she can pull it off when they just started offering it her senior year. She’s also now president of the East African Drumming and Dance club, and she’s teaching Swahili. Seriously. I sent her off to college speaking English and Spanish, and she’s teaching Swahili now. Never mind that, though; it’s not the point at the moment.
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Just for fun this year, she decided to audition for her university’s elite show choir. One of the people who took her application had heard her sing, and expressed concern about whether her strong, powerful voice would blend with a choir. My daughter found a blank space in the margin of the audition application and wrote in every bit of her choral experience and training.
They gave her a place, and all semester she’s enjoyed the return to choral performance, which she hasn’t done in a while.
As a result, most of her new friends from that group hadn’t heard anything but her “head voice,” when the group put together their winter show. Since my daughter has a lovely light soprano, some of them expressed skepticism when she signed up to audition for the top solo spot, an Adele cover that called for power and presence.
I had to ask my daughter’s boyfriend to give me real details of the audition, and he was thrilled to indulge me. She’d been given the first audition spot, the one people expect to forget so they can hold the real contenders more easily in mind from later performances. As her boyfriend described it to me, she stepped forward, ignored the microphone, faced the gathering of her friends and advisors, and “let her Delta out.”
None of her choirmates wanted to follow her, but at the end of the night, her voice hadn’t been forgotten. They didn’t even do a second round of auditions before awarding her the part.
~~~
When she asked if I could come see her perform on December 7, I enthusiastically agreed, promising to be there even though I knew my girlfriend couldn’t make it.
And then we found out that her East African Drumming and Dance group is also performing later that same night—and she has the big solo for that, too.
And she has some other performance on Dec. 8. I really need to ask her more about that, but I just got that text earlier today, and we’ve missed our connection a few times since then.
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So I am absolutely, positively driving across the state for December 7 this year, even if I do it alone, because my daughter will always be my favorite performing star ever.